Should You Send Voice Notes on Dating Apps? A Dating Coach Answers Honestly

Priya deletes every voice note before sending. So do a third of us. A UK dating coach on when a voice note wins someone over — and when it kills the match.

Priya, 31, from Nottingham, records the voice note. Plays it back. Winces. Deletes it. Types “haha yeah” instead. Sends that.

She’s not alone. Wisp data shows nearly a third of users have recorded a voice note on a dating app and then bottled it before hitting send.

So we asked a UK dating coach to settle it. Are voice notes a good idea, or a fast way to lose someone before you’ve even met?

Why does everyone suddenly hate typing?

“It’s not that people hate typing. It’s that typing hides a lot. You can’t hear warmth in a text. You can’t tell if someone’s actually funny or just quoting a meme. A voice note gives you the one thing a profile can’t fake — a real person, with a real voice, at a normal pace. That’s why they’re spreading. People are tired of guessing.”

But they make some people cringe. Why?

“Because most voice notes are bad. Not the idea — the execution. Someone hits record, rambles for ninety seconds, ums their way through it, and sends a monologue to a stranger. That’s not charming. That’s homework. The cringe isn’t the voice note. It’s the length and the total lack of a point.”

So there’s a right way to do it.

“There’s a much better way, yes. Keep it short. Fifteen, twenty seconds. Say one thing. Answer their question, add a bit of yourself, ask something back. Treat it like a spoken text, not a podcast. The people who get it right sound relaxed — because they’ve said less, not more.”

When should you send the first one?

“Not in the opening message. That’s too much, too soon — you’re a stranger’s voice arriving uninvited. Wait until there’s a bit of back-and-forth, until you’ve made each other laugh at least once. Then a voice note feels like a small step forward instead of a leap.”

“On Wisp, where the whole point is to stop messaging and actually meet, a voice note works best as the nudge just before someone asks the other out. It warms things up right when it matters.”

What about people who hate the sound of their own voice?

“Almost everyone hates the sound of their own voice. That feeling isn’t information — it’s just unfamiliarity. Your date won’t hear what you hear. They’ll hear someone making an effort, sounding human, being a bit brave. That reads as confidence, even when you don’t feel it. You don’t need a radio voice. You need to sound like you.”

Is there anyone who shouldn’t bother?

“If you genuinely find it stressful and it’s stopping you replying at all, don’t force it. A warm, quick text beats a voice note you agonised over for twenty minutes. The goal is connection, not a performance. Voice notes are a tool, not a test. Use whichever one gets you to the date.”

Any hard rules?

“A few. Don’t send five in a row — that’s a voicemail, not a conversation. Don’t record while you’re distracted; people can hear a shrug. And never use a voice note to have a difficult conversation. If you need to cancel or say something awkward, type it. Voice notes are for warmth, not admin.”

And when they land well?

“When they land, they really land. I’ve had clients tell me a single good voice note was the moment they went from ‘maybe’ to ‘yes, actually.’ Hearing someone laugh does something a text never will. It makes them real. And once someone feels real, meeting them stops being scary and starts being the obvious next step.”

Priya sent one, eventually. Twenty seconds, one joke, one question. He replied with his own. Two days later they were in a pub in Nottingham, phones face down on the table.

Turns out the voice note was never the risk. The deleting was.

If you’ve been overthinking every message, Wisp is built to get you off your phone and into the pub faster — and a twenty-second voice note might just be the shove that gets you there.

Published by Mia L.W.

Mia L.W. is a relationships writer who specialises in the hidden corners of modern love — the unspoken desires, the emotional grey areas, and the private decisions people make when connection feels out of reach. With a background in storytelling and a sharp eye for human behaviour, Mia brings empathy, nuance and honesty to every piece she writes. Her work explores the realities behind affairs, long‑term partnerships, and the search for intimacy in a world that rarely slows down. She’s known for blending real‑world insight with a warm, conversational tone that makes readers feel understood rather than judged. When she’s not writing for Illicit Encounters, Mia can usually be found people‑watching in cafés, devouring psychology books, or collecting stories that reveal what relationships look like behind closed doors.

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